Tobias has been a working artisan for over 40 years. Some of his ceramics instructors include Harlen House, Hal Regar, Jack Surs, Marylin Levine, Roy Kiyooka, Santo Mignosa and Léopold Foulem.
Tobias also weaves, fuses dichroic glass, produces torch-work beads, and creates sterling jewelry. He has taken courses in “Hollowware” in London, UK, and Canadian metalsmith Crys Harse. Tobias has taken repoussé classes with Valentine Yotkov of New York, and Nancy Corwin of Calgary, as well as several local instructors in silver jewelry. His degree in Fine Arts was a major in Printmaking, and a minor in Ceramics.
Several years ago, Tobias discovered that his great-grandmother had Chickasaw Cherokee roots, and he has been exploring his First Nations heritage through his art. Much of his work reflects; ceremonial, medicinal, herbal, and food plants Chickasaw Nation, including traditional and historic depictions from the medicine wheel to sacred motifs symbols like the World Weaver Spider, Weeping Man.
Tobias has always been interested in textiles, the use of natural fibres and plants used for dyes. He has raised sheep, sheared wool, spun, and created woven material from “scratch to finish”. Today, the main fibres used are rayon, silk, linen, cotton, viscose, and rayon chenille. With these, rugs, shawls, and scarves are lovingly made. Colour and texture, forms and function, this is the historical essence of humanity and craft history, as well as ingenuity combined with practicality. Like the myth of the girl, the womyn, and the crone, weaving the threads of Life.
For over 10 years my favorite medium used in the creation of my pieces has been cow horn.
I had the opportunity to learn from a remarkable artisan who revealed the secrets of working with this exceptional organic material. Horn is lightweight, feels warm to the touch, it is harder than wood, and thermoplastic which allows it to change shape when heat is applied.
Horn has been referred to as the plastic of the Middle Ages.
As years went by I started working with other materials (leather, stones and different metals) usually combining them with horn. As a result my work has evolved, it has expanded beyond the use of horn and also applying other techniques such as stone inlaid and metal etching.
I took silversmith classes in Argentina and later attended jewellery courses in ACAD (Alberta College of Art and Design).
After lots of traveling and living in different places, like Germany and Ireland, I finally settled down in Canada where I was able to transform this passion into a full-time profession.
Born and raised in Argentina, I currently live in Victoria, BC.
Wanda Shum is a B.C. grown artist who was formally trained in Electronic Communication Design at the Emily Carr College of Art and Design, She has been an independent artist for over 20 years with a variety of works to her name. All her work has embodied an attention to detail in form and function. Wanda’s works are recognized for their bright and whimsical qualities.
Currently, she’s working with polymer clays in a technique called ‘millefiori’. ‘Millefiori’ or ‘A Thousand Flowers’ is a traditional Venetian glass art that involve the formation of a cane-like sculpture with fused glass rods that has a pattern throughout. The modern version of this is created by laying different coloured polymer clays together. Then the cane is sliced to reveal the design within. Wanda describes ‘millefiori’ as a combination of painting and sculpting.
This technique has allowed her to create unique limited edition designs of jewellery (She has created a few exclusive designs for the Manitoba Museum of Man and Nature). More recently, She has created a line of home decor which features items such as wine stoppers, glassware, and teapots covered with millefiori slices. Her latest body of work, especially her teapots have moved beyond the framework of form and function into the distinct realm of collectible art pieces.